C200 codecs

We've used a pair of Cs on hundreds of shoots, and it's still one of our favorite cameras. But then came the Canon C Finally, a C mkII in a smaller package. How can the C be both a super high end cinema camera - better than the C mkII in some ways - and yet a low end camera that doesn't meet certain broadcast standards at the same time?

We're definitely much more into user experience and image quality than simple specs. Sony has been winning the spec game for years, and yet many of us still prefer to pay multiple times more for Canon cameras with much less specs. But the Canon C is entirely a new beast of spec strangeness. Is this a game of protecting higher end cameras like the C mkII? Or does Canon want us to forget about specs completely and focus on the things they excel at: user experience and image quality.

But its users have to choose between a very low end mp4 HD recording, or a middle-of-the-road 4K image, or dive into the extremely complicated and expensive RAW Light 4K recording. So for the rest of us documentary and corporate shooters who prefer everyday workhorse media, like HD at bit - the C still doesn't compete with the C mkII, even though they share the same CMOS sensor. There are many conflicting views about this camera, but the proof is in the pudding.

But even though it came with an advanced 4K CMOS sensor, its output HD bitrate and codec was a little low for broadcast and feature documentary use. But of course, new cameras need to come out every few years, and new industry standards or at least industry movements need to be addressed. The big one being 4k capture. And so the C mkII answered a lot of prayers, even though it was fairly spendy when first released.

Realtek* High Definition Audio Driver for Legacy Intel® NUC

Our clients are as thrilled with the look as we are, and we're not working 3x as hard to capture a tiny bit more in dymanic range with Clog 2 or 3. Part of the initial mix of excitement and confusion around the announcement came from the demo video, which was the one of the first views of the camera footage.

The actual video story itself is perfectly fine - it follows the journey of fish from sea to a chef's table. The C official demo video was a wedding film, the C mkII demo was a short narrative.

The C demo is essentially a short version of "Chef's Table," and they even got the same director and crew to shoot it and produce it. If you've ever seen Chef's Table, it's the most beautiful food visuals you'll ever see.

See for yourself in the above BTS video. Doesn't it seem a little unlikely that these kinds of productions would choose an amped up C for their A cam?

At any rate, the demo video certainly didn't help settle the discussion about who the Canon C is for. If it's for actual high level productions, or for up and coming filmmakers who want to dabble with professional tools such as RAW capture, but most often will use the camera as a daily workhorse shooting to MP4. The sheer range of target buyers - from everyday web video shooters, to high end features producers - made the marketing a difficult sell. A few months after the C was released into the hands of early adopters, we found an opportunity to try it our for ourselves.Canon will be adding a new MXF codec in and there has been a lot of debate online as to what that codec will actually be.

Well today I found out directly from the Canon C engineers that the new codec that will be introduced early in will be XF-AVC YCbCr 8bit, and it will be a free upgrade if you can call it that.

It will also be recorded to the SD cards and not the CFast card. This is contrary to what was told to me just a few weeks ago at a seminar in Tokyo where the literature they were handing out clearly stated that the new codec would be recorded to the CFast card. Canon also told me that there are no current plans to put any type of internal bit bit codec in the camera.

c200 codecs

In my review I found that the 8-bit MP4 files were more than up to the task, but with only a 8-bit XF-AVC codec being added, the C will not have an edit friendly internal codec that meets the standards imposed by a lot of broadcasters and production houses.

The only way to achieve this will be to use an external recorder. This confirmation of the new codec is sure to upset a lot of potential buyers who were possibly looking at purchasing a C, but now may turn their attention to other options from Sony, Blackmagic and Panasonic. Are you disappointed by this news? Would this be a deal breaker for you f you were thinking of purchasing a C? Let us know in the comments section below. Matthew Allard is a multi-award-winning, ACS accredited freelance Director of Photography with 30 years' experience working in more than 50 countries around the world.

He is the Editor of Newsshooter. Matthew is available to hire as a DP in Japan or for work anywhere else in the world. About Advertise Privacy Policy.

Should You Use the XF-AVC codec in the Canon C200?

Share this article. So what will the new codec be? There is no internal bit codec planned for the camera Canon also told me that there are no current plans to put any type of internal bit bit codec in the camera. Does all this really matter? Subscribe to our newsletter. Latest news.Since then, the price has come down significantly. The C is an exciting camera, but not for the typical reasons. Because a 4K Canon has eluded most modest budgets, the C stands out as special.

Canon must have had an ear to the ground, because the C has the features most need and want. Although it has taken longer than the public would like, the C looks to set a standard for the price range.

Canon EOS C200 Footage Comparison – 12-bit RAW vs 10-bit 4:2:2 vs 8-bit 4:2:0

There are very few differences between the two cameras. The reason for the price difference is the exclusion of a monitor and EVF; otherwise they are the same camera. The CB is a good choice for those that already have a monitor and EVF or for gimbal and drone applications. It is able to shoot up to 60 frames per second fps in 4K or fps in HD. Canon listened; they put the XLR inputs on the body, so regardless of whether you are using the handle or not, you have XLR inputs.

The monitor is very usable. The menu and function control on the monitor itself makes menu operation easy. The monitor can be mounted for left or right eyed shooters. Simply flip the screen to the other side and with the flip of a mirroring button, it corrects for being upside down. The built-in ND filter is great, and always a necessity. However, ND filters offer a better way to adjust exposure than increasing the shutter.

Because of the features and price point of the C, it fits in at the center of what we cover here at Videomaker. The camera is equally good for documentary film as for event and wedding videography. It could easily be used for an indie film or for news gathering. Because of this, we used a selection of affordable lenses.However, Canon apparently feels the need to up the ante in sales events. Although official sales numbers are not publicly shared, nearly a year after introduction the C is not doing as well as it perhaps could — or should.

Tim Smith from Canon accepted the challenge against Mitch Gross from Panasonic of a side-by-side comparison between the two competing platforms, although the EVA1 offers something the C does not.

Now, I love mangoes, but they do tend to come at a cost. Panasonic EVA1. Initially — and as recently reported here on cinema5D — the discussion in the live feed focused on the usual shootout comparisons of contrast, gamma and detail.

Canon C However, after the issue kept coming up repeatedly later on in the chat, Smith seemed to concede somewhat by the end of the show. He said that although the official answer had not changed, users should keep screaming for it in the public forums, and who knows if Japan may consider it.

For those not so well-informed, Canon uses a rather strict segmentation policy in its Cinema EOS line-up of cameras. The C mark II was introduced in and is an entry-level p camera intended for run-n-gun, after-movie and web-related work. The Canon C — introduced in and the focus of this article — is a professional 4K camera, with anything but broadcast-specs. A tier higher up, the C Mark II introduced in is a broadcast spec 4K camera, intended for television and documentary work.

At the very top, the C introduced in with its 4. The C is a strange beast in this line-up, in that it has both a lower-end weak 8-bit codec written to SD cards and a data-hungry raw format called Cineraw Light on a single internal CFast card.

Indeed a mixed-bagas fellow author Nino Leitner called it in his June article. Who says that we need to write to two codecs at the same time in any situation? Also, this new processor would not be able to write bit in 4K to the SD cards. How come, Canon?

And even if this were true for sustained data rates to the SD cards, this camera features a wonderful CFast slot that surely must be able to handle the datastream in 4K bit files, right? Well guess what, Canon. In fact, there is much to love about the C We want better pixels, not only more of them.

Why do I need 4K bit ? Because, trust me, I do. I do have green screen work — work that relies heavily on VFX and footage you need to be able to quickly color correct or grade without banding issues or other nastiness.

Do I want to switch brands? So why, why-o-why are you forcing me, dear Canon? Here are five reasons why I think you should reconsider implementing bit in 4K in the C Although I still have had no clients who have actively demanded 4K acquisition, I have rented in 4K cameras because it made sense for the project at hand. I hate renting. I am an owner-operator, wet-hire only. I have dreaded my purchasing decision long enough. When upgrading your camera platform, you want to get the latest technology, not invest in something that was introduced three years ago.

So even though the C satisfies my bit needs with external recording in p which I kinda dislike as it constitutes another point of failureI am not comfortable with this for 4K — for the next 3 to 4 years. Can you at least comfort me with a paid upgrade for 4K bit internal or even sigh… external for the C? Canon C writing RAW data. High Dynamic Range imaging is the next big thing.

Although we have been recording with cameras that support 12 to 14 stops for a few years now, the delivery format h.

However, it makes no sense if the camera you are using still defaults to 8-bit.When your download is complete please use the instructions below to begin the installation of your download or locate your downloaded files on your computer.

To purchase, please contact an Authorized Cinema Dealer. View Full Specifications. Actual prices are determined by individual dealers and may vary. Examples: "prints missing colors", "flashing power light", "setting the white balance".

Below is a listing of our top FAQ's. Click on the title for more information.

Review: Canon EOS C200 Gives Videographers What They Need

Canon U. The Product purchased with this limited warranty is the only EOS Digital Camera to which this limited warranty applies. Warranty exchange or replacement does not extend the original warranty period of the Product. This limited warranty shall only apply if the Product is used in conjunction with compatible computer equipment and compatible software, as to which items Canon U.

Non-Canon brand equipment and software that may be distributed with the Product are sold "as is" and without warranty of any kind by Canon U. The sole warranty, if any, with the respect to such non-Canon brand items is given by the manufacturer or producer thereof. This limited warranty covers all defects encountered in normal use of the Product, and does not apply in the following cases:. A Canon Customer Care representative will attempt to diagnose the nature of the problem and correct it over the telephone.

Note that a dated proof of purchase is required at the time of service. This requirement will be satisfied by providing a copy of your dated bill of sale. Authorized service center information can be obtained by visiting www. You will be given the name, address and phone number of an authorized service center.

c200 codecs

It is your responsibility to properly package and send the defective Product, together with a copy of your dated proof of purchase, a complete explanation of the problem and a return address to the authorized service center at your expense.

Do not include any other items with the defective Product. The Product covered by this limited warranty and proven to be defective upon inspection will be repaired and returned to you without charge by the authorized service center. Any Product received by the authorized service center that is not covered by the limited warranty will be returned unrepaired, or at the discretion of the authorized service provider, you may receive a written estimate of repair at such cost as the service center may establish from time to time.

This limited warranty gives you specific legal rights, and you may also have other rights, which vary from state to state or province to province in Canada.This is been one hell of a week for camera announcements. Just a couple days ago, Canon announced their brand new C, and today Panasonic finally unveiled their new budget-friendly cinema camera — the EVA1. In fact, if I were to buy a C-series camera today, I would pick up a C in a heartbeat over a C II, as it offers more value in some respects at a lower price point.

The very fact that RAW can be recorded internally will be a huge selling point for narrative filmmakers, although GB CFast cards are only expected to record about 15 minutes of content. The camera has some standout features as well, such as Dual Pixel autofocus which is ideal for those shooters operating as a one-man-band, and who need to pull their own focus.

So in a nuthsell, Canon finally seems to have gotten it right. A reasonably priced cinema camera that can record RAW internally and is actually positioned to be competitive in the market…. For years we have been waiting for Panasonic to release an AF replacement. At one point, Panasonic led the ultra low budget indie film community with their DVX, although they eventually lost their footing when the large sensor camcorder market took off, and they were left behind.

It look them many years, but they have finally come out swinging with a new camera to fill this gap, and one that looks like it could truly disrupt the market.

But here is what we do know —. It may have taken Panasonic ages to finally release this beast, but it looks like it was worth the wait! Everything about the camera on paper looks incredible. It also includes V-Log out of the box, and the same great color science that Panasonic has been delivering with their higher end Varicams.

I recently released this short film that I shot on the Varicam LT, and really loved the images I got off the camera. I especially love the fact that the EVA1 records oversampled 4K internally. As a bonus, in a future firmware update the EVA1 will be able to output 5.

Nearly all of the standout features that Canon offers, Panasonic can match or beat. Panasonic clearly have more specialty features, such as fps recording, dual native ISO, and 5. More importantly though, I like to invest in products from companies who are headed in a direction I believe in. What do you think? Is there anything that would make you choose the C over the EVA1? Or do you feel the same as me? Noam Kroll is an award-winning Los Angeles based filmmaker, and the founder of the boutique production house, Creative Rebellion.

His work can be seen at international film festivals, on network television, and in various publications across the globe. Follow Noam on TwitterInstagram and Facebook for more content like this! I read that the eva is 8k for just the body. The c body only costs only 6k and 7. Great write up. Thanks Jonathan! And I totally agree with your philosophy on Canon. Totally agree, me too. I was waiting so much for a good Canon camera like this. The 35 mbit codec in HD is a deal breaker though.When your download is complete please use the instructions below to begin the installation of your download or locate your downloaded files on your computer.

Find an Authorized Dealer. The EOS C Digital Cinema Camera is a "ready-to-go" production camera that comes with a built-in electronic viewfinder and an array of accessories including a 4-inch touch screen LCD monitor, a versatile handle and ergonomic handgrip. The 8. The camera's multitude of features helps deliver outstanding image quality, performance and versatility. Click here for more information. Each pixel in this CMOS imaging sensor also maintains a wide pixel pitch that maximizes the amount of light that falls on to each photo site, thus enhancing the EOS C camera's sensitivity while also minimizing noise and supporting ISO speeds of up tofor extreme low-light imaging.

This sensor also reduces data-readout time, resulting in a reduction in rolling-shutter artifacts. For those users who are accustomed to seeing the T-value displayed when using EF lenses for digital cinema, it is possible to switch the camera to display either the F-value or the T-value. This is important for those that shoot on movie sets and prefer to know how much light is passing through the opening of the lens and actually making it to the sensor.

T-values are the traditional measure of light reaching the sensor in video production, while F-stop is the measure of light in still photography. The ability to see the F-stop helps those transitioning from still to video shooting.

The 0. The fully adjustable and detachable, 1. The new Rosette style camera grip makes rotating and removing the grip simpler, and features an improved ergonomic design to help steady and focus the camera.

c200 codecs

This handle unit can be attached to the camera body without tools, and features a new handle screw that enables fast and easy attachment.

The unit can also be used to mount a variety of optional peripherals. C DV 6 image processors, which powerfully process high-resolution image data. The two on-board DiG! The DiG! C 6 is Canon's sixth-generation Image processor that uses proprietary technology, allowing users to achieve high performance and creative freedom when acquiring images.

This range of ISO settings provide the user with more creative freedom. Low ISO values allow the user to use large iris settings and shallow depth of field, even in scenes of bright light. The higher ISO values provide the user with more flexibility in dimly lit situations. A 54db gain setting can also be set to achieve high sensitivity in dimly lit scenes.

Each pixel in the camera's CMOS sensor is configured with two photodiodes. Two independent image signals can then be detected at each photosite.

By implementing phase-difference AF, smooth focusing is accomplished using Canon EF lenses with much higher speed and accuracy than was possible with previous technologies- a major advantage during single-operator shooting. Face Detection AF is another autofocus mode that can track a person's face in the frame and maintain focus on them. Tapping the area of the frame quickly brings the image into focus. This ability to choose the subject for focusing with the tap of the screen helps to make focusing intuitive.

This lowers the barrier for focusing, especially when shooting in 4K, which requires strict focus accuracy. The Dual Pixel Focus Guide presents the user with a rectangle in which to focus the subject. The rectangle turns green when the subject is in focus. If the subject is out of focus the box will turn gray and the arrows will indicate which way to adjust the lens to regain focus.